There are few things the Western anime fandom can agree on, altogether. It’s hard to argue that Neon Genesis Evangelion wasn’t an monument of the medium, or that Berserk 2016 looked okay. But even when we unite on one opinion, we can still end up deeply divided.
This year, Eromanga-sensei was labeled ‘trash’ by both fans and haters, and rightly so. It goes beyond the idea of simply ‘trashy’ media (trash-like, sharing-qualities-with-the-idea-of-trash) and blatantly basks in its identity as a piece of garbage. For its devotees, it was one of the highest quality pieces of animated defecation the ‘idiot otaku gets surrounded by hot chicks of questionable ages and also his sort of his sister and fucks none of them’ genre has delivered. But among its critics, there have been some remarkably unfair judgements. In framing the show as one of his most hated of the year, Super Eyepatch Wolf did more than express his dislike of it: he didn’t believe that anyone could have been passionate about it. Continue reading How Eromanga-sensei Made its Mark: Masochism and the Modern Otaku
“What is perhaps most striking about anime, compared to other imported media that have been modified for the American market, is the lack of compromise in making these narratives palatable.”
– Susan Pointon
“…what appears to be be the single most asked question about anime in America, “why is anime so full of sex and violence?” is an inquiry that, while betraying an ignorance of the complexity and variety of the art form, is still significant in that it reveals the bewilderment of Western audiences in confronting so-called adult themes within the animated medium.”
– Susan J Napier
I’m sure my country’s recent ban of various sex acts in pornography wasn’t on many people’s Christmas list. Not because of any particular fetishization of any of the practices listed; it’s alarming due to the sense of a growing trend journalistic fans of anime should be all to familiar with. The practically Victorian belief that our media must be purged of any images we (that is, the social elite that stand to represent and essentialize us) find morally unsavory, and the result being dominated by a limitation of the expressions of women in media, to serve as a condemnation of the ‘patriarchy’, the ‘male gaze’, and so on. Continue reading Misunderstanding the Mukokuseki: Why Fanservice Is Not On the Fringe
An anime about making anime and celebrating the industry wins multiple awards from the industry. Passing comments might be skeptical of how self-centered the anime business has become. But those who have watched Shirobako know well how deeply it deserves its accolades. It’s a coming-of-age story that abandons the typical high school setting, but retains the moe aesthetic for its femicentic main cast. Combining the realistic struggles of a workplace with the hyperreal glaze of cute girls and boundless enthusiasm, it’s got both reality and moe firmly in its heart, and comments often on how the two conflict and co-operate in various capacities.
The success of Shirobako has however attracted a lot of attention from critics seeking to downplay its value for women, affirm the lie of ‘anime is a boys club’ to fabricate outrage, and use the show as a platform for continuing the anti-moe sentiment permeating much of our Western community. Continue reading Moe, Maturity and Reading Like a Man: Beneath the Surface of Shirobako
The Mary Sue has written on fanservice in anime for the second time. ‘In anime’ might be a stretch however. The blog isn’t inclined to treat any subject they comment on with any sensitivity to the work as a whole. They splice out bits that seem to prove their points and ignore anything that could define it differently. So I want to make a counter-claim. In their most recent article, celebrating ‘sexiness’ that isn’t objectification, I don’t believe the writer is aware of what objectification really is in feminist terminology. I don’t believe the writer represents the interests of feminists at all.
Continue reading Fanservice, Feminism and What’s Really Being Objectified
(this review contains spoilers – you have been warned!)
The ‘stuck in an MMO’ story, on the back of SAO’s commercial success, has been repeated enough to become a genre in itself. Give Studio Deen that story, however, and they turn it on its head. If they truly are ‘saving anime’ with shows like Shouwa Genroku Rakugo Shinjuu, it fits that they’ve revitalised the tropes of fantasy harem anime all over with their second project of the Winter 2016 season.
Continue reading KonoSuba S1: An Unnecessary Review
What good is a fanservice episode, that trope-to-end-all-tropes of every slice-of-life series, that doesn’t disgust your audience and degrade the fairer sex to the point that they’d be better represented in pay-per-view porn?
Continue reading Seven Steps to Scripting a Fantastic Fanservice Episode
Even the swimsuit episode is more than meets the eye.
Continue reading Gakkou Gurashi! – 09