The Pleasures of (Re-)Reading: Spoiling Stories for Better *And* Worse

A few days ago, Super Eyepatch Wolf released a video asking, “Do Spoilers Ruin Stories?”. It does a good job capturing the situation internet culture has led itself into: the seemingly closed case of spoilers ‘ruining’ what we watch, contrasted against the ease with which they flourish on social media. The older the tale, the less of a damn we give.

While many strive to keep themselves unspoiled when it comes to new shows airing each season, we’re comfortable with ‘spoiling’ what we regard as some of the greatest stories ever written. My own handle, ‘JekoJeko’, is derived from the ‘Jekyll Jekyll Hyde’ song of an episode of Arthur, which condensed the plot of Stevenson’s novel into a three minute parody piece. When I eventually came to read The Strange Case of Dr. Jekyll and Mr. Hyde, I recalled the song before I began, and realized I had lost something valuable. Continue reading →

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Dragon Maid and the Dissociative Imagination

The Western anime fandom can be rather reductive in how they consider ‘otaku’. Whenever they’re a point of discussion, the ‘otaku’ is usually figured by the community as male, casually perverted and distinctly out-of-touch with the world around them. Most of all, they’re billed as a pretty elitist group. As accurate as this may be in some cases, it’s overall inconsiderate in the picture it paints, as much as anime frequently reinforces that image. This season has seen something fresh come to our screens and streams, however: Kobayashi san Chi no Maid Dragon has been a bizarre and sometimes overwhelmingly adorable indulgence in the kind of ideal isekai otaku disconnect themselves into living within.

‘Cute girls doing cute things’ shows are known for their presentation of virtual, idealistic, accessible and fundamentally comforting worlds. Yet, Dragon Maid presents deviations from even the norms of this ‘genre’, depicting a mature Japanese salarywomen alongside a cast of widely varying age. Between Kanna’s elementary school and Kobayashi’s workplace, the high school which moe centers its sense of nostalgic escapism upon is missing. Episode titles are undercut by their subtitles, and over-exposure in the explicitly signified ‘fanservice’ episode is shunned rather than lauded. On the surface, these aspects of Dragon Maid promote a closer look at what kind of ‘world’ the show is drawing upon and modelling for its viewers. It’s not keeping in step with the trend of otaku-centered stories (thank God, there’s no light-novel MC), and it looks at itself with a sideways glance too. A closer comparison of what Dragon Maid presents against a wider idea of how otaku view and consume their media should therefore be productive. Continue reading →