What Manga Tokyo’s ‘Redefining Otaku’ Article Gets Wrong

A few weeks ago, anime fansite Manga Tokyo launched a new column with its first article, Redefining ‘Otaku’ in the Modern Era. Within it, columnist Tim Rattray (who also writes for Crunchyroll, and his personal blog) takes aim at the stereotype of otaku as extremely anti-social, which he claims is still prevalent in how ‘otaku’ are discussed. He believes that the English-speaking sphere of the anime community needs to take responsibility in ‘redefining’ the word that has been loaned to us, and that we likewise need to set an example for the future of ‘otaku’ worldwide: “Let’s show the world why being otaku is great”.

Tim’s more recent article for this column asserts simply, and correctly, that when it comes to talking about otaku from as an ‘outsider’, “the fine line comes down to but one thing: respect” – but I don’t think Tim’s discussion of “Redefining ‘Otaku'” is respectful at all. Continue reading What Manga Tokyo’s ‘Redefining Otaku’ Article Gets Wrong

Omote, Ura and On: ERASED, Hanasaku Iroha and the Mother-Daughter Conflict

Families in fiction can feel like something universal. Loving your parents, and caring for your children, can strike us as things essential to our humanity; faulting them, likewise, can be monstrous.

But when we look across cultures, there is no single idea of ‘family’ that unites the world; household relationships are as much a product of our culture and society as the stories we tell about such structures. The families we see in anime are often readily understandable as though they were from the West, but there are details that become exposed when we tackle these stories with sensitivity to the way Japan thinks about its own families and social codes. Continue reading Omote, Ura and On: ERASED, Hanasaku Iroha and the Mother-Daughter Conflict